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"model.video.video_1", "shape": 7, "type": "VIDEO", "link": null }, { "localized_name": "files", "name": "model.files", "shape": 7, "type": "GEMINI_INPUT_FILES", "link": null } ], "outputs": [ { "localized_name": "STRING", "name": "STRING", "type": "STRING", "links": [ 177, 178 ] } ], "properties": { "Node name for S&R": "GeminiNodeV3" }, "widgets_values": [ "Gemini 3.8 Flash", "STEP 1: ANALYZE BOTH IMAGES\nBefore crafting the prompt, analyze both images to understand:\n\n\nCamera distance (wide shot, medium, close-up, extreme close-up, macro)\nCamera angle (low-angle, high-angle, eye-level, overhead, Dutch, worm's eye, bird's eye)\nCamera position relative to subject (front, side profile, 3/4 view, back, overhead)\nFraming (full body, torso, chest-up, face only, detail/macro)\nSubject position and pose\nLighting setup and direction\nBackground elements and depth\nFocal length characteristics (wide-angle distortion vs telephoto compression)\n\nSTEP 2: DETERMINE CAMERA MOVEMENT\nBased on the differences between images, identify the primary camera movement:\n\n\nDistance change: Dolly-in (closer) or Dolly-out (farther)\nVertical angle change: Tilt up/down or Crane up/down\nHorizontal angle change: Pan left/right or Orbit/Arc around subject\nHeight change: Crane/Pedestal up or down\nLateral movement: Truck/Track left or right\n\nSTEP 3: OUTPUT ONLY THE PROMPT\nDo not include explanations, commentary, or additional text.\nOutput ONLY the transition prompt in this format:\n\n\n[CAMERA MOVEMENT] from [START POSITION] to [END POSITION]. Subject remains stationary and consistent throughout. Camera [MOVEMENT VERB] fluidly, maintaining [FOCUS BEHAVIOR] on [KEY ELEMENT]. Lighting stays constant, background [BACKGROUND BEHAVIOR]. [TECHNICAL SPECS]. --no [NEGATIVE ELEMENTS]\n\nCore Principle\n\nFor transitions where the subject/scene remains consistent and only the camera position changes, use this structured approach to ensure smooth, cinematic results.\n\n\nPrompt Structure Template\n\n[CAMERA MOVEMENT] from [START POSITION] to [END POSITION]. Subject remains stationary and consistent throughout. Camera [MOVEMENT VERB] fluidly, maintaining [FOCUS BEHAVIOR] on [KEY ELEMENT]. Lighting stays constant, background [BACKGROUND BEHAVIOR]. [TECHNICAL SPECS]. --no [NEGATIVE ELEMENTS]\n\nComponent Breakdown\n\n1. CAMERA MOVEMENT TYPES\n\n\nDolly-in/Push-in: Camera moves forward toward subject\nDolly-out/Pull-back: Camera moves backward away from subject\nOrbit/Arc: Camera circles around subject (specify left/right)\nTilt: Camera angles up or down on fixed position\nPan: Camera swivels left or right horizontally\nCrane/Pedestal: Camera moves vertically up or down\nTracking/Trucking: Camera moves parallel to subject\n\n2. POSITION DESCRIPTORS\n\n\nDistance: wide shot, medium shot, close-up, extreme close-up, macro\nAngle: low-angle, high-angle, eye-level, overhead, Dutch angle, worm's eye view, bird's eye view\nFraming: full body, three-quarter, torso, chest-up, face, detail\n\n3. MOVEMENT VERBS (choose intensity)\n\n\nSlowly, steadily, smoothly, gradually, fluidly\nRapidly, dynamically, swiftly\nElegantly, dramatically, confidently\n\n4. FOCUS BEHAVIOR\n\n\nSharp focus throughout\nRack focus from [A] to [B]\nMaintains focus on [element]\nShallow depth of field\nDeep focus\nProgressive focus shift\n\n5. BACKGROUND BEHAVIOR\n\n\nStays consistent\nBlurs to bokeh\nSharpens into view\nFades to [color]\nRemains sharp throughout\n\n6. TECHNICAL SPECS (standard cinematic quality)\n\n\nCinematic depth of field\nStable gimbal/dolly movement\nProfessional commercial grade\n24fps (or 30fps, 60fps for slow-motion feel)\nClean sensor, no grain (or \"film grain\" if desired)\n\n\nExample Prompts by Movement Type\n\nDOLLY-IN (Wide → Close-up)\n\n\nSmooth camera dolly-in from wide establishing shot to extreme close-up. Subject remains stationary. Camera pushes forward steadily, transitioning focus from [background element] to [detail]. Lighting stays constant, background softly blurs to bokeh. Cinematic depth of field, stable gimbal movement, 24fps. --no shake, cuts, warping, distortion\n\nDOLLY-OUT (Close-up → Wide)\n\n\nSmooth camera pull-back from extreme close-up to wide establishing shot. Subject remains centered and stationary. Camera retreats steadily, revealing environment progressively. Focus maintains on subject while background sharpens into view. Even lighting, cinematic depth of field, 24fps. --no shake, cuts, jump, warping\n\nORBIT (Circular movement)\n\n\nSmooth camera orbit from front view to side profile. Subject remains stationary at center. Camera arcs left fluidly in 90-degree rotation, maintaining constant distance and eye-level angle. Lighting stays consistent, sharp focus throughout. Gimbal stabilized circular tracking, 24fps. --no shake, warping, speed changes, distortion\n\nTILT (Vertical angle change)\n\n\nSmooth camera tilt from low-angle to high-angle. Subject remains stationary. Camera tilts upward gradually, shifting perspective from worm's eye view to bird's eye view. Distance stays constant, lighting consistent. Stable tripod tilt, cinematic framing, 24fps. --no shake, panning, horizontal movement, warping\n\nPAN (Horizontal swivel)\n\n\nSmooth camera pan from left profile to right profile. Subject remains stationary. Camera swivels horizontally across 180 degrees, maintaining constant distance and eye-level. Sharp focus throughout, even lighting. Fluid tripod pan, 24fps. --no shake, tilting, vertical movement, cuts\n\nCRANE UP/DOWN\n\n\nSmooth camera crane from ground-level to overhead view. Subject remains stationary at center. Camera elevates vertically, angle shifting from eye-level to bird's eye view. Distance adjusts proportionally, lighting consistent. Stabilized crane movement, 24fps. --no shake, lateral movement, warping, distortion\n\nKey Rules for Camera-Only Transitions\n\nAlways specify subject remains stationary - This prevents unwanted morphing\nDescribe start AND end positions clearly - Gives model clear targets\nUse specific movement verbs - \"Dolly-in\" is clearer than \"moves closer\"\nLock down what DOESN'T change - Lighting, subject, clothing, expression\nInclude technical quality markers - Gimbal, 24fps, cinematic, stable\nNegative prompts are critical - Prevents warping/morphing/distortion\nKeep prompts under 75 words - Model weights early words heavier\nOne primary movement per transition - Don't combine dolly + pan + tilt\n\nAdvanced Techniques\n\nSpeed Ramping:\n\"Camera begins slow dolly-in, accelerates midway, then decelerates smoothly into final close-up\"\n\n\nCombined Movements (use sparingly):\n\"Camera dollies in while simultaneously tilting down, maintaining subject center-frame\"\n\n\nFocus Pulls:\n\"Rack focus from foreground [element] to background [element] as camera remains locked\"\n\n\nLens Simulation:\n\"Wide-angle 24mm distortion gradually compresses to telephoto 85mm compression\"\n\n\n\nCritical Output Rule\n\nOUTPUT ONLY THE PROMPT. NO EXPLANATIONS. NO COMMENTARY. NO ADDITIONAL TEXT.", "static", "MEDIUM", 32768, 42, "randomize", "" ], "widgets_values_named": { "model": "Gemini 3.8 Flash", "model.prompt": "STEP 1: ANALYZE BOTH IMAGES\nBefore crafting the prompt, analyze both images to understand:\n\n\nCamera distance (wide shot, medium, close-up, extreme close-up, macro)\nCamera angle (low-angle, high-angle, eye-level, overhead, Dutch, worm's eye, bird's eye)\nCamera position relative to subject (front, side profile, 3/4 view, back, overhead)\nFraming (full body, torso, chest-up, face only, detail/macro)\nSubject position and pose\nLighting setup and direction\nBackground elements and depth\nFocal length characteristics (wide-angle distortion vs telephoto compression)\n\nSTEP 2: DETERMINE CAMERA MOVEMENT\nBased on the differences between images, identify the primary camera movement:\n\n\nDistance change: Dolly-in (closer) or Dolly-out (farther)\nVertical angle change: Tilt up/down or Crane up/down\nHorizontal angle change: Pan left/right or Orbit/Arc around subject\nHeight change: Crane/Pedestal up or down\nLateral movement: Truck/Track left or right\n\nSTEP 3: OUTPUT ONLY THE PROMPT\nDo not include explanations, commentary, or additional text.\nOutput ONLY the transition prompt in this format:\n\n\n[CAMERA MOVEMENT] from [START POSITION] to [END POSITION]. Subject remains stationary and consistent throughout. Camera [MOVEMENT VERB] fluidly, maintaining [FOCUS BEHAVIOR] on [KEY ELEMENT]. Lighting stays constant, background [BACKGROUND BEHAVIOR]. [TECHNICAL SPECS]. --no [NEGATIVE ELEMENTS]\n\nCore Principle\n\nFor transitions where the subject/scene remains consistent and only the camera position changes, use this structured approach to ensure smooth, cinematic results.\n\n\nPrompt Structure Template\n\n[CAMERA MOVEMENT] from [START POSITION] to [END POSITION]. Subject remains stationary and consistent throughout. Camera [MOVEMENT VERB] fluidly, maintaining [FOCUS BEHAVIOR] on [KEY ELEMENT]. Lighting stays constant, background [BACKGROUND BEHAVIOR]. [TECHNICAL SPECS]. --no [NEGATIVE ELEMENTS]\n\nComponent Breakdown\n\n1. CAMERA MOVEMENT TYPES\n\n\nDolly-in/Push-in: Camera moves forward toward subject\nDolly-out/Pull-back: Camera moves backward away from subject\nOrbit/Arc: Camera circles around subject (specify left/right)\nTilt: Camera angles up or down on fixed position\nPan: Camera swivels left or right horizontally\nCrane/Pedestal: Camera moves vertically up or down\nTracking/Trucking: Camera moves parallel to subject\n\n2. POSITION DESCRIPTORS\n\n\nDistance: wide shot, medium shot, close-up, extreme close-up, macro\nAngle: low-angle, high-angle, eye-level, overhead, Dutch angle, worm's eye view, bird's eye view\nFraming: full body, three-quarter, torso, chest-up, face, detail\n\n3. MOVEMENT VERBS (choose intensity)\n\n\nSlowly, steadily, smoothly, gradually, fluidly\nRapidly, dynamically, swiftly\nElegantly, dramatically, confidently\n\n4. FOCUS BEHAVIOR\n\n\nSharp focus throughout\nRack focus from [A] to [B]\nMaintains focus on [element]\nShallow depth of field\nDeep focus\nProgressive focus shift\n\n5. BACKGROUND BEHAVIOR\n\n\nStays consistent\nBlurs to bokeh\nSharpens into view\nFades to [color]\nRemains sharp throughout\n\n6. TECHNICAL SPECS (standard cinematic quality)\n\n\nCinematic depth of field\nStable gimbal/dolly movement\nProfessional commercial grade\n24fps (or 30fps, 60fps for slow-motion feel)\nClean sensor, no grain (or \"film grain\" if desired)\n\n\nExample Prompts by Movement Type\n\nDOLLY-IN (Wide → Close-up)\n\n\nSmooth camera dolly-in from wide establishing shot to extreme close-up. Subject remains stationary. Camera pushes forward steadily, transitioning focus from [background element] to [detail]. Lighting stays constant, background softly blurs to bokeh. Cinematic depth of field, stable gimbal movement, 24fps. --no shake, cuts, warping, distortion\n\nDOLLY-OUT (Close-up → Wide)\n\n\nSmooth camera pull-back from extreme close-up to wide establishing shot. Subject remains centered and stationary. Camera retreats steadily, revealing environment progressively. Focus maintains on subject while background sharpens into view. Even lighting, cinematic depth of field, 24fps. --no shake, cuts, jump, warping\n\nORBIT (Circular movement)\n\n\nSmooth camera orbit from front view to side profile. Subject remains stationary at center. Camera arcs left fluidly in 90-degree rotation, maintaining constant distance and eye-level angle. Lighting stays consistent, sharp focus throughout. Gimbal stabilized circular tracking, 24fps. --no shake, warping, speed changes, distortion\n\nTILT (Vertical angle change)\n\n\nSmooth camera tilt from low-angle to high-angle. Subject remains stationary. Camera tilts upward gradually, shifting perspective from worm's eye view to bird's eye view. Distance stays constant, lighting consistent. Stable tripod tilt, cinematic framing, 24fps. --no shake, panning, horizontal movement, warping\n\nPAN (Horizontal swivel)\n\n\nSmooth camera pan from left profile to right profile. Subject remains stationary. Camera swivels horizontally across 180 degrees, maintaining constant distance and eye-level. Sharp focus throughout, even lighting. Fluid tripod pan, 24fps. --no shake, tilting, vertical movement, cuts\n\nCRANE UP/DOWN\n\n\nSmooth camera crane from ground-level to overhead view. Subject remains stationary at center. Camera elevates vertically, angle shifting from eye-level to bird's eye view. Distance adjusts proportionally, lighting consistent. Stabilized crane movement, 24fps. --no shake, lateral movement, warping, distortion\n\nKey Rules for Camera-Only Transitions\n\nAlways specify subject remains stationary - This prevents unwanted morphing\nDescribe start AND end positions clearly - Gives model clear targets\nUse specific movement verbs - \"Dolly-in\" is clearer than \"moves closer\"\nLock down what DOESN'T change - Lighting, subject, clothing, expression\nInclude technical quality markers - Gimbal, 24fps, cinematic, stable\nNegative prompts are critical - Prevents warping/morphing/distortion\nKeep prompts under 75 words - Model weights early words heavier\nOne primary movement per transition - Don't combine dolly + pan + tilt\n\nAdvanced Techniques\n\nSpeed Ramping:\n\"Camera begins slow dolly-in, accelerates midway, then decelerates smoothly into final close-up\"\n\n\nCombined Movements (use sparingly):\n\"Camera dollies in while simultaneously tilting down, maintaining subject center-frame\"\n\n\nFocus Pulls:\n\"Rack focus from foreground [element] to background [element] as camera remains locked\"\n\n\nLens Simulation:\n\"Wide-angle 24mm distortion gradually compresses to telephoto 85mm compression\"\n\n\n\nCritical Output Rule\n\nOUTPUT ONLY THE PROMPT. NO EXPLANATIONS. NO COMMENTARY. NO ADDITIONAL TEXT.", "model.video_processing": "static", "model.thinking_level": "MEDIUM", "model.max_output_tokens": 32768, "model.seed": 42, "control_after_generate": "randomize", "model.system_prompt": "" }, "color": "#432", "bgcolor": "#653" } ], "groups": [], "links": [ { "id": 78, "origin_id": 63, "origin_slot": 0, "target_id": 64, "target_slot": 0, "type": "STRING" }, { "id": 81, "origin_id": 62, "origin_slot": 0, "target_id": 46, "target_slot": 0, "type": "STRING" }, { "id": 139, "origin_id": 84, "origin_slot": 0, "target_id": -20, "target_slot": 0, "type": "VIDEO" }, { "id": 136, "origin_id": -10, "origin_slot": 0, "target_id": 84, "target_slot": 0, "type": "IMAGE" }, { "id": 137, "origin_id": -10, "origin_slot": 1, "target_id": 84, "target_slot": 1, "type": "IMAGE" }, { "id": 140, "origin_id": 46, "origin_slot": 0, "target_id": 84, "target_slot": 2, "type": "STRING" }, { "id": 177, "origin_id": 109, "origin_slot": 0, "target_id": 63, "target_slot": 0, "type": "STRING" }, { "id": 178, "origin_id": 109, "origin_slot": 0, "target_id": 62, "target_slot": 0, "type": "STRING" }, { "id": 180, "origin_id": -10, "origin_slot": 0, "target_id": 109, "target_slot": 0, "type": "IMAGE" }, { "id": 181, "origin_id": -10, "origin_slot": 1, "target_id": 109, "target_slot": 1, "type": "IMAGE" } ], "extra": { "workflowRendererVersion": "LG" } }, { "id": "f0fb6ee5-af18-4ce2-b2e5-3c41c2b18aec", "version": 1, "state": { "lastGroupId": 0, "lastNodeId": 123, "lastLinkId": 211, "lastRerouteId": 0 }, "revision": 0, "config": {}, "name": "Generate Video", "inputNode": { "id": -10, "bounding": [ 1530, -330, 128, 88 ] }, "outputNode": { "id": -20, "bounding": [ 3820, -320, 128, 68 ] }, "inputs": [ { "id": "b623a375-a6dc-4f9c-8e82-e71b94507a75", "name": "image1", "type": "IMAGE", "linkIds": [ 185, 190 ], "localized_name": "image1", "pos": [ 1634, -306 ] }, { "id": "7a04f7ae-97c2-4afe-9acf-9f990c80524c", "name": "image2", "type": "IMAGE", "linkIds": [ 186, 191 ], "localized_name": "image2", "pos": [ 1634, -286 ] } ], "outputs": [ { "id": "dbfad197-36c3-4cc9-aa60-d01c9477d144", "name": "VIDEO", "type": "VIDEO", "linkIds": [ 184 ], "localized_name": "VIDEO", "pos": [ 3844, -296 ] } ], "widgets": [], "nodes": [ { "id": 110, "type": "RegexExtract", "pos": [ 2500, -120 ], "size": [ 230, 270 ], "flags": {}, "order": 0, "mode": 0, "inputs": [ { "localized_name": "string", "name": "string", "type": "STRING", "widget": { "name": "string" }, "link": 189 } ], "outputs": [ { "localized_name": "STRING", "name": "STRING", "type": "STRING", "links": [ 183 ] } ], "properties": { "Node name for S&R": "RegexExtract", "cnr_id": "comfy-core", "ver": "0.4.0" }, "widgets_values": [ "", "^(.+?)(?=\\s+--no)", "First Match", true, false, false, 1 ], "widgets_values_named": { "string": "", "regex_pattern": "^(.+?)(?=\\s+--no)", "mode": "First Match", "case_insensitive": true, "multiline": false, "dotall": false, "group_index": 1 } }, { "id": 111, "type": "PreviewAny", "pos": [ 2840, -120 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"type": "STRING", "widget": { "name": "prompt" }, "link": 187 } ], "outputs": [ { "localized_name": "VIDEO", "name": "VIDEO", "type": "VIDEO", "links": [ 184 ] } ], "properties": { "Node name for S&R": "KlingFirstLastFrameNode" }, "widgets_values": [ "", 5, true, "kling-v3", "1080p", 0, "randomize" ], "widgets_values_named": { "prompt": "", "duration": 5, "generate_audio": true, "model": "kling-v3", "model.resolution": "1080p", "seed": 0, "control_after_generate": "randomize" }, "color": "#432", "bgcolor": "#653" }, { "id": 115, "type": "GeminiNodeV3", "pos": [ 2040, -120 ], "size": [ 400, 410 ], "flags": {}, "order": 5, "mode": 0, "showAdvanced": false, "inputs": [ { "localized_name": "image_1", "name": "model.images.image_1", "shape": 7, "type": "IMAGE", "link": 190 }, { "localized_name": "image_2", "name": "model.images.image_2", "shape": 7, "type": "IMAGE", "link": 191 }, { "localized_name": "image_3", "name": "model.images.image_3", "shape": 7, "type": "IMAGE", "link": null }, { "localized_name": "audio_1", "name": "model.audio.audio_1", "shape": 7, "type": "AUDIO", "link": null }, { "localized_name": "video_1", "name": "model.video.video_1", "shape": 7, "type": "VIDEO", "link": null }, { "localized_name": "files", "name": "model.files", "shape": 7, "type": "GEMINI_INPUT_FILES", "link": null } ], "outputs": [ { "localized_name": "STRING", "name": "STRING", "type": "STRING", "links": [ 188, 189 ] } ], "properties": { "Node name for S&R": "GeminiNodeV3" }, "widgets_values": [ "Gemini 3.8 Flash", "STEP 1: ANALYZE BOTH IMAGES\nBefore crafting the prompt, analyze both images to understand:\n\n\nCamera distance (wide shot, medium, close-up, extreme close-up, macro)\nCamera angle (low-angle, high-angle, eye-level, overhead, Dutch, worm's eye, bird's eye)\nCamera position relative to subject (front, side profile, 3/4 view, back, overhead)\nFraming (full body, torso, chest-up, face only, detail/macro)\nSubject position and pose\nLighting setup and direction\nBackground elements and depth\nFocal length characteristics (wide-angle distortion vs telephoto compression)\n\nSTEP 2: DETERMINE CAMERA MOVEMENT\nBased on the differences between images, identify the primary camera movement:\n\n\nDistance change: Dolly-in (closer) or Dolly-out (farther)\nVertical angle change: Tilt up/down or Crane up/down\nHorizontal angle change: Pan left/right or Orbit/Arc around subject\nHeight change: Crane/Pedestal up or down\nLateral movement: Truck/Track left or right\n\nSTEP 3: OUTPUT ONLY THE PROMPT\nDo not include explanations, commentary, or additional text.\nOutput ONLY the transition prompt in this format:\n\n\n[CAMERA MOVEMENT] from [START POSITION] to [END POSITION]. Subject remains stationary and consistent throughout. Camera [MOVEMENT VERB] fluidly, maintaining [FOCUS BEHAVIOR] on [KEY ELEMENT]. Lighting stays constant, background [BACKGROUND BEHAVIOR]. [TECHNICAL SPECS]. --no [NEGATIVE ELEMENTS]\n\nCore Principle\n\nFor transitions where the subject/scene remains consistent and only the camera position changes, use this structured approach to ensure smooth, cinematic results.\n\n\nPrompt Structure Template\n\n[CAMERA MOVEMENT] from [START POSITION] to [END POSITION]. Subject remains stationary and consistent throughout. Camera [MOVEMENT VERB] fluidly, maintaining [FOCUS BEHAVIOR] on [KEY ELEMENT]. Lighting stays constant, background [BACKGROUND BEHAVIOR]. [TECHNICAL SPECS]. --no [NEGATIVE ELEMENTS]\n\nComponent Breakdown\n\n1. CAMERA MOVEMENT TYPES\n\n\nDolly-in/Push-in: Camera moves forward toward subject\nDolly-out/Pull-back: Camera moves backward away from subject\nOrbit/Arc: Camera circles around subject (specify left/right)\nTilt: Camera angles up or down on fixed position\nPan: Camera swivels left or right horizontally\nCrane/Pedestal: Camera moves vertically up or down\nTracking/Trucking: Camera moves parallel to subject\n\n2. POSITION DESCRIPTORS\n\n\nDistance: wide shot, medium shot, close-up, extreme close-up, macro\nAngle: low-angle, high-angle, eye-level, overhead, Dutch angle, worm's eye view, bird's eye view\nFraming: full body, three-quarter, torso, chest-up, face, detail\n\n3. MOVEMENT VERBS (choose intensity)\n\n\nSlowly, steadily, smoothly, gradually, fluidly\nRapidly, dynamically, swiftly\nElegantly, dramatically, confidently\n\n4. FOCUS BEHAVIOR\n\n\nSharp focus throughout\nRack focus from [A] to [B]\nMaintains focus on [element]\nShallow depth of field\nDeep focus\nProgressive focus shift\n\n5. BACKGROUND BEHAVIOR\n\n\nStays consistent\nBlurs to bokeh\nSharpens into view\nFades to [color]\nRemains sharp throughout\n\n6. TECHNICAL SPECS (standard cinematic quality)\n\n\nCinematic depth of field\nStable gimbal/dolly movement\nProfessional commercial grade\n24fps (or 30fps, 60fps for slow-motion feel)\nClean sensor, no grain (or \"film grain\" if desired)\n\n\nExample Prompts by Movement Type\n\nDOLLY-IN (Wide → Close-up)\n\n\nSmooth camera dolly-in from wide establishing shot to extreme close-up. Subject remains stationary. Camera pushes forward steadily, transitioning focus from [background element] to [detail]. Lighting stays constant, background softly blurs to bokeh. Cinematic depth of field, stable gimbal movement, 24fps. --no shake, cuts, warping, distortion\n\nDOLLY-OUT (Close-up → Wide)\n\n\nSmooth camera pull-back from extreme close-up to wide establishing shot. Subject remains centered and stationary. Camera retreats steadily, revealing environment progressively. Focus maintains on subject while background sharpens into view. Even lighting, cinematic depth of field, 24fps. --no shake, cuts, jump, warping\n\nORBIT (Circular movement)\n\n\nSmooth camera orbit from front view to side profile. Subject remains stationary at center. Camera arcs left fluidly in 90-degree rotation, maintaining constant distance and eye-level angle. Lighting stays consistent, sharp focus throughout. Gimbal stabilized circular tracking, 24fps. --no shake, warping, speed changes, distortion\n\nTILT (Vertical angle change)\n\n\nSmooth camera tilt from low-angle to high-angle. Subject remains stationary. Camera tilts upward gradually, shifting perspective from worm's eye view to bird's eye view. Distance stays constant, lighting consistent. Stable tripod tilt, cinematic framing, 24fps. --no shake, panning, horizontal movement, warping\n\nPAN (Horizontal swivel)\n\n\nSmooth camera pan from left profile to right profile. Subject remains stationary. Camera swivels horizontally across 180 degrees, maintaining constant distance and eye-level. Sharp focus throughout, even lighting. Fluid tripod pan, 24fps. --no shake, tilting, vertical movement, cuts\n\nCRANE UP/DOWN\n\n\nSmooth camera crane from ground-level to overhead view. Subject remains stationary at center. Camera elevates vertically, angle shifting from eye-level to bird's eye view. Distance adjusts proportionally, lighting consistent. Stabilized crane movement, 24fps. --no shake, lateral movement, warping, distortion\n\nKey Rules for Camera-Only Transitions\n\nAlways specify subject remains stationary - This prevents unwanted morphing\nDescribe start AND end positions clearly - Gives model clear targets\nUse specific movement verbs - \"Dolly-in\" is clearer than \"moves closer\"\nLock down what DOESN'T change - Lighting, subject, clothing, expression\nInclude technical quality markers - Gimbal, 24fps, cinematic, stable\nNegative prompts are critical - Prevents warping/morphing/distortion\nKeep prompts under 75 words - Model weights early words heavier\nOne primary movement per transition - Don't combine dolly + pan + tilt\n\nAdvanced Techniques\n\nSpeed Ramping:\n\"Camera begins slow dolly-in, accelerates midway, then decelerates smoothly into final close-up\"\n\n\nCombined Movements (use sparingly):\n\"Camera dollies in while simultaneously tilting down, maintaining subject center-frame\"\n\n\nFocus Pulls:\n\"Rack focus from foreground [element] to background [element] as camera remains locked\"\n\n\nLens Simulation:\n\"Wide-angle 24mm distortion gradually compresses to telephoto 85mm compression\"\n\n\n\nCritical Output Rule\n\nOUTPUT ONLY THE PROMPT. NO EXPLANATIONS. NO COMMENTARY. NO ADDITIONAL TEXT.", "static", "MEDIUM", 32768, 42, "randomize", "", "randomize" ], "widgets_values_named": { "model": "Gemini 3.8 Flash", "model.prompt": "STEP 1: ANALYZE BOTH IMAGES\nBefore crafting the prompt, analyze both images to understand:\n\n\nCamera distance (wide shot, medium, close-up, extreme close-up, macro)\nCamera angle (low-angle, high-angle, eye-level, overhead, Dutch, worm's eye, bird's eye)\nCamera position relative to subject (front, side profile, 3/4 view, back, overhead)\nFraming (full body, torso, chest-up, face only, detail/macro)\nSubject position and pose\nLighting setup and direction\nBackground elements and depth\nFocal length characteristics (wide-angle distortion vs telephoto compression)\n\nSTEP 2: DETERMINE CAMERA MOVEMENT\nBased on the differences between images, identify the primary camera movement:\n\n\nDistance change: Dolly-in (closer) or Dolly-out (farther)\nVertical angle change: Tilt up/down or Crane up/down\nHorizontal angle change: Pan left/right or Orbit/Arc around subject\nHeight change: Crane/Pedestal up or down\nLateral movement: Truck/Track left or right\n\nSTEP 3: OUTPUT ONLY THE PROMPT\nDo not include explanations, commentary, or additional text.\nOutput ONLY the transition prompt in this format:\n\n\n[CAMERA MOVEMENT] from [START POSITION] to [END POSITION]. Subject remains stationary and consistent throughout. Camera [MOVEMENT VERB] fluidly, maintaining [FOCUS BEHAVIOR] on [KEY ELEMENT]. Lighting stays constant, background [BACKGROUND BEHAVIOR]. [TECHNICAL SPECS]. --no [NEGATIVE ELEMENTS]\n\nCore Principle\n\nFor transitions where the subject/scene remains consistent and only the camera position changes, use this structured approach to ensure smooth, cinematic results.\n\n\nPrompt Structure Template\n\n[CAMERA MOVEMENT] from [START POSITION] to [END POSITION]. Subject remains stationary and consistent throughout. Camera [MOVEMENT VERB] fluidly, maintaining [FOCUS BEHAVIOR] on [KEY ELEMENT]. Lighting stays constant, background [BACKGROUND BEHAVIOR]. [TECHNICAL SPECS]. --no [NEGATIVE ELEMENTS]\n\nComponent Breakdown\n\n1. CAMERA MOVEMENT TYPES\n\n\nDolly-in/Push-in: Camera moves forward toward subject\nDolly-out/Pull-back: Camera moves backward away from subject\nOrbit/Arc: Camera circles around subject (specify left/right)\nTilt: Camera angles up or down on fixed position\nPan: Camera swivels left or right horizontally\nCrane/Pedestal: Camera moves vertically up or down\nTracking/Trucking: Camera moves parallel to subject\n\n2. POSITION DESCRIPTORS\n\n\nDistance: wide shot, medium shot, close-up, extreme close-up, macro\nAngle: low-angle, high-angle, eye-level, overhead, Dutch angle, worm's eye view, bird's eye view\nFraming: full body, three-quarter, torso, chest-up, face, detail\n\n3. MOVEMENT VERBS (choose intensity)\n\n\nSlowly, steadily, smoothly, gradually, fluidly\nRapidly, dynamically, swiftly\nElegantly, dramatically, confidently\n\n4. FOCUS BEHAVIOR\n\n\nSharp focus throughout\nRack focus from [A] to [B]\nMaintains focus on [element]\nShallow depth of field\nDeep focus\nProgressive focus shift\n\n5. BACKGROUND BEHAVIOR\n\n\nStays consistent\nBlurs to bokeh\nSharpens into view\nFades to [color]\nRemains sharp throughout\n\n6. TECHNICAL SPECS (standard cinematic quality)\n\n\nCinematic depth of field\nStable gimbal/dolly movement\nProfessional commercial grade\n24fps (or 30fps, 60fps for slow-motion feel)\nClean sensor, no grain (or \"film grain\" if desired)\n\n\nExample Prompts by Movement Type\n\nDOLLY-IN (Wide → Close-up)\n\n\nSmooth camera dolly-in from wide establishing shot to extreme close-up. Subject remains stationary. Camera pushes forward steadily, transitioning focus from [background element] to [detail]. Lighting stays constant, background softly blurs to bokeh. Cinematic depth of field, stable gimbal movement, 24fps. --no shake, cuts, warping, distortion\n\nDOLLY-OUT (Close-up → Wide)\n\n\nSmooth camera pull-back from extreme close-up to wide establishing shot. Subject remains centered and stationary. Camera retreats steadily, revealing environment progressively. Focus maintains on subject while background sharpens into view. Even lighting, cinematic depth of field, 24fps. --no shake, cuts, jump, warping\n\nORBIT (Circular movement)\n\n\nSmooth camera orbit from front view to side profile. Subject remains stationary at center. Camera arcs left fluidly in 90-degree rotation, maintaining constant distance and eye-level angle. Lighting stays consistent, sharp focus throughout. Gimbal stabilized circular tracking, 24fps. --no shake, warping, speed changes, distortion\n\nTILT (Vertical angle change)\n\n\nSmooth camera tilt from low-angle to high-angle. Subject remains stationary. Camera tilts upward gradually, shifting perspective from worm's eye view to bird's eye view. Distance stays constant, lighting consistent. Stable tripod tilt, cinematic framing, 24fps. --no shake, panning, horizontal movement, warping\n\nPAN (Horizontal swivel)\n\n\nSmooth camera pan from left profile to right profile. Subject remains stationary. Camera swivels horizontally across 180 degrees, maintaining constant distance and eye-level. Sharp focus throughout, even lighting. Fluid tripod pan, 24fps. --no shake, tilting, vertical movement, cuts\n\nCRANE UP/DOWN\n\n\nSmooth camera crane from ground-level to overhead view. Subject remains stationary at center. Camera elevates vertically, angle shifting from eye-level to bird's eye view. Distance adjusts proportionally, lighting consistent. Stabilized crane movement, 24fps. --no shake, lateral movement, warping, distortion\n\nKey Rules for Camera-Only Transitions\n\nAlways specify subject remains stationary - This prevents unwanted morphing\nDescribe start AND end positions clearly - Gives model clear targets\nUse specific movement verbs - \"Dolly-in\" is clearer than \"moves closer\"\nLock down what DOESN'T change - Lighting, subject, clothing, expression\nInclude technical quality markers - Gimbal, 24fps, cinematic, stable\nNegative prompts are critical - Prevents warping/morphing/distortion\nKeep prompts under 75 words - Model weights early words heavier\nOne primary movement per transition - Don't combine dolly + pan + tilt\n\nAdvanced Techniques\n\nSpeed Ramping:\n\"Camera begins slow dolly-in, accelerates midway, then decelerates smoothly into final close-up\"\n\n\nCombined Movements (use sparingly):\n\"Camera dollies in while simultaneously tilting down, maintaining subject center-frame\"\n\n\nFocus Pulls:\n\"Rack focus from foreground [element] to background [element] as camera remains locked\"\n\n\nLens Simulation:\n\"Wide-angle 24mm distortion gradually compresses to telephoto 85mm compression\"\n\n\n\nCritical Output Rule\n\nOUTPUT ONLY THE PROMPT. NO EXPLANATIONS. NO COMMENTARY. NO ADDITIONAL TEXT.", "model.video_processing": "static", "model.thinking_level": "MEDIUM", "model.max_output_tokens": 32768, "model.seed": 42, "control_after_generate#1": "randomize", "model.system_prompt": "", "control_after_generate": "randomize" }, "color": "#432", "bgcolor": "#653" } ], "groups": [], "links": [ { "id": 182, "origin_id": 112, "origin_slot": 0, "target_id": 113, "target_slot": 0, "type": "STRING" }, { "id": 183, "origin_id": 110, "origin_slot": 0, "target_id": 111, "target_slot": 0, "type": "STRING" }, { "id": 184, "origin_id": 114, "origin_slot": 0, "target_id": -20, "target_slot": 0, "type": "VIDEO" }, { "id": 188, "origin_id": 115, "origin_slot": 0, "target_id": 112, "target_slot": 0, "type": "STRING" }, { "id": 189, "origin_id": 115, "origin_slot": 0, "target_id": 110, "target_slot": 0, "type": "STRING" }, { "id": 185, "origin_id": -10, "origin_slot": 0, "target_id": 114, "target_slot": 0, "type": "IMAGE" }, { "id": 186, "origin_id": -10, "origin_slot": 1, "target_id": 114, "target_slot": 1, "type": "IMAGE" }, { "id": 187, "origin_id": 111, "origin_slot": 0, "target_id": 114, "target_slot": 2, "type": "STRING" }, { "id": 190, "origin_id": -10, "origin_slot": 0, "target_id": 115, "target_slot": 0, "type": "IMAGE" }, { "id": 191, "origin_id": -10, "origin_slot": 1, "target_id": 115, "target_slot": 1, "type": "IMAGE" } ], "extra": { "workflowRendererVersion": "LG" } }, { "id": "8644d200-d58d-4311-bebe-a9f397568743", "version": 1, "state": { "lastGroupId": 0, "lastNodeId": 123, "lastLinkId": 211, "lastRerouteId": 0 }, "revision": 0, "config": {}, "name": "Generate Video", "inputNode": { "id": -10, "bounding": [ 1530, -330, 128, 88 ] }, "outputNode": { "id": -20, "bounding": [ 3820, -320, 128, 68 ] }, "inputs": [ { "id": "b623a375-a6dc-4f9c-8e82-e71b94507a75", "name": "image1", "type": "IMAGE", "linkIds": [ 202, 205 ], "localized_name": "image1", "pos": [ 1634, -306 ] }, { "id": "7a04f7ae-97c2-4afe-9acf-9f990c80524c", "name": "image2", "type": "IMAGE", "linkIds": [ 203, 206 ], "localized_name": "image2", "pos": [ 1634, -286 ] } ], "outputs": [ { "id": "dbfad197-36c3-4cc9-aa60-d01c9477d144", "name": "VIDEO", "type": "VIDEO", "linkIds": [ 199 ], "localized_name": "VIDEO", "pos": [ 3844, -296 ] } ], "widgets": [], "nodes": [ { "id": 117, "type": "RegexExtract", "pos": [ 2500, -120 ], "size": [ 230, 270 ], "flags": {}, "order": 0, "mode": 0, "inputs": [ { "localized_name": "string", "name": "string", "type": "STRING", "widget": { "name": "string" }, "link": 201 } ], "outputs": [ { "localized_name": "STRING", "name": "STRING", "type": "STRING", "links": [ 198 ] } ], "properties": { "Node name for S&R": "RegexExtract", "cnr_id": "comfy-core", "ver": "0.4.0" }, "widgets_values": [ "", "^(.+?)(?=\\s+--no)", "First Match", true, false, false, 1 ], "widgets_values_named": { "string": "", "regex_pattern": "^(.+?)(?=\\s+--no)", "mode": "First Match", "case_insensitive": true, "multiline": false, "dotall": false, "group_index": 1 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false, false, 1 ], "widgets_values_named": { "string": "", "regex_pattern": "(?<=--no\\s)(.+)$", "mode": "First Match", "case_insensitive": true, "multiline": false, "dotall": false, "group_index": 1 } }, { "id": 120, "type": "PreviewAny", "pos": [ 2840, 210 ], "size": [ 230, 280 ], "flags": {}, "order": 3, "mode": 0, "inputs": [ { "localized_name": "source", "name": "source", "type": "*", "link": 197 } ], "outputs": [ { "localized_name": "STRING", "name": "STRING", "type": "STRING", "links": null } ], "title": "Preview Negative Prompt", "properties": { "Node name for S&R": "PreviewAny", "cnr_id": "comfy-core", "ver": "0.3.76" }, "widgets_values": [], "widgets_values_named": {} }, { "id": 121, "type": "KlingFirstLastFrameNode", "pos": [ 3150, -330 ], "size": [ 400, 300 ], "flags": {}, "order": 4, "mode": 0, "inputs": [ { "localized_name": "first_frame", "name": "first_frame", "type": "IMAGE", "link": 202 }, { "localized_name": "end_frame", "name": "end_frame", "type": "IMAGE", "link": 203 }, { "localized_name": "prompt", "name": "prompt", "type": "STRING", "widget": { "name": "prompt" }, "link": 204 } ], "outputs": [ { "localized_name": "VIDEO", "name": "VIDEO", "type": "VIDEO", "links": [ 199 ] } ], "properties": { "Node name for S&R": "KlingFirstLastFrameNode" }, "widgets_values": [ "", 5, true, "kling-v3", "1080p", 0, "randomize" ], "widgets_values_named": { "prompt": "", "duration": 5, "generate_audio": true, "model": "kling-v3", "model.resolution": "1080p", "seed": 0, "control_after_generate": "randomize" }, "color": "#432", "bgcolor": "#653" }, { "id": 122, "type": "GeminiNodeV3", "pos": [ 2040, -120 ], "size": [ 400, 410 ], "flags": {}, "order": 5, "mode": 0, "showAdvanced": false, "inputs": [ { "localized_name": "image_1", "name": "model.images.image_1", "shape": 7, "type": "IMAGE", "link": 205 }, { "localized_name": "image_2", "name": "model.images.image_2", "shape": 7, "type": "IMAGE", "link": 206 }, { "localized_name": "image_3", "name": "model.images.image_3", "shape": 7, "type": "IMAGE", "link": null }, { "localized_name": "audio_1", "name": "model.audio.audio_1", "shape": 7, "type": "AUDIO", "link": null }, { "localized_name": "video_1", "name": "model.video.video_1", "shape": 7, "type": "VIDEO", "link": null }, { "localized_name": "files", "name": "model.files", "shape": 7, "type": "GEMINI_INPUT_FILES", "link": null } ], "outputs": [ { "localized_name": "STRING", "name": "STRING", "type": "STRING", "links": [ 200, 201 ] } ], "properties": { "Node name for S&R": "GeminiNodeV3" }, "widgets_values": [ "Gemini 3.8 Flash", "STEP 1: ANALYZE BOTH IMAGES\nBefore crafting the prompt, analyze both images to understand:\n\n\nCamera distance (wide shot, medium, close-up, extreme close-up, macro)\nCamera angle (low-angle, high-angle, eye-level, overhead, Dutch, worm's eye, bird's eye)\nCamera position relative to subject (front, side profile, 3/4 view, back, overhead)\nFraming (full body, torso, chest-up, face only, detail/macro)\nSubject position and pose\nLighting setup and direction\nBackground elements and depth\nFocal length characteristics (wide-angle distortion vs telephoto compression)\n\nSTEP 2: DETERMINE CAMERA MOVEMENT\nBased on the differences between images, identify the primary camera movement:\n\n\nDistance change: Dolly-in (closer) or Dolly-out (farther)\nVertical angle change: Tilt up/down or Crane up/down\nHorizontal angle change: Pan left/right or Orbit/Arc around subject\nHeight change: Crane/Pedestal up or down\nLateral movement: Truck/Track left or right\n\nSTEP 3: OUTPUT ONLY THE PROMPT\nDo not include explanations, commentary, or additional text.\nOutput ONLY the transition prompt in this format:\n\n\n[CAMERA MOVEMENT] from [START POSITION] to [END POSITION]. Subject remains stationary and consistent throughout. Camera [MOVEMENT VERB] fluidly, maintaining [FOCUS BEHAVIOR] on [KEY ELEMENT]. Lighting stays constant, background [BACKGROUND BEHAVIOR]. [TECHNICAL SPECS]. --no [NEGATIVE ELEMENTS]\n\nCore Principle\n\nFor transitions where the subject/scene remains consistent and only the camera position changes, use this structured approach to ensure smooth, cinematic results.\n\n\nPrompt Structure Template\n\n[CAMERA MOVEMENT] from [START POSITION] to [END POSITION]. Subject remains stationary and consistent throughout. Camera [MOVEMENT VERB] fluidly, maintaining [FOCUS BEHAVIOR] on [KEY ELEMENT]. Lighting stays constant, background [BACKGROUND BEHAVIOR]. [TECHNICAL SPECS]. --no [NEGATIVE ELEMENTS]\n\nComponent Breakdown\n\n1. CAMERA MOVEMENT TYPES\n\n\nDolly-in/Push-in: Camera moves forward toward subject\nDolly-out/Pull-back: Camera moves backward away from subject\nOrbit/Arc: Camera circles around subject (specify left/right)\nTilt: Camera angles up or down on fixed position\nPan: Camera swivels left or right horizontally\nCrane/Pedestal: Camera moves vertically up or down\nTracking/Trucking: Camera moves parallel to subject\n\n2. POSITION DESCRIPTORS\n\n\nDistance: wide shot, medium shot, close-up, extreme close-up, macro\nAngle: low-angle, high-angle, eye-level, overhead, Dutch angle, worm's eye view, bird's eye view\nFraming: full body, three-quarter, torso, chest-up, face, detail\n\n3. MOVEMENT VERBS (choose intensity)\n\n\nSlowly, steadily, smoothly, gradually, fluidly\nRapidly, dynamically, swiftly\nElegantly, dramatically, confidently\n\n4. FOCUS BEHAVIOR\n\n\nSharp focus throughout\nRack focus from [A] to [B]\nMaintains focus on [element]\nShallow depth of field\nDeep focus\nProgressive focus shift\n\n5. BACKGROUND BEHAVIOR\n\n\nStays consistent\nBlurs to bokeh\nSharpens into view\nFades to [color]\nRemains sharp throughout\n\n6. TECHNICAL SPECS (standard cinematic quality)\n\n\nCinematic depth of field\nStable gimbal/dolly movement\nProfessional commercial grade\n24fps (or 30fps, 60fps for slow-motion feel)\nClean sensor, no grain (or \"film grain\" if desired)\n\n\nExample Prompts by Movement Type\n\nDOLLY-IN (Wide → Close-up)\n\n\nSmooth camera dolly-in from wide establishing shot to extreme close-up. Subject remains stationary. Camera pushes forward steadily, transitioning focus from [background element] to [detail]. Lighting stays constant, background softly blurs to bokeh. Cinematic depth of field, stable gimbal movement, 24fps. --no shake, cuts, warping, distortion\n\nDOLLY-OUT (Close-up → Wide)\n\n\nSmooth camera pull-back from extreme close-up to wide establishing shot. Subject remains centered and stationary. Camera retreats steadily, revealing environment progressively. Focus maintains on subject while background sharpens into view. Even lighting, cinematic depth of field, 24fps. --no shake, cuts, jump, warping\n\nORBIT (Circular movement)\n\n\nSmooth camera orbit from front view to side profile. Subject remains stationary at center. Camera arcs left fluidly in 90-degree rotation, maintaining constant distance and eye-level angle. Lighting stays consistent, sharp focus throughout. Gimbal stabilized circular tracking, 24fps. --no shake, warping, speed changes, distortion\n\nTILT (Vertical angle change)\n\n\nSmooth camera tilt from low-angle to high-angle. Subject remains stationary. Camera tilts upward gradually, shifting perspective from worm's eye view to bird's eye view. Distance stays constant, lighting consistent. Stable tripod tilt, cinematic framing, 24fps. --no shake, panning, horizontal movement, warping\n\nPAN (Horizontal swivel)\n\n\nSmooth camera pan from left profile to right profile. Subject remains stationary. Camera swivels horizontally across 180 degrees, maintaining constant distance and eye-level. Sharp focus throughout, even lighting. Fluid tripod pan, 24fps. --no shake, tilting, vertical movement, cuts\n\nCRANE UP/DOWN\n\n\nSmooth camera crane from ground-level to overhead view. Subject remains stationary at center. Camera elevates vertically, angle shifting from eye-level to bird's eye view. Distance adjusts proportionally, lighting consistent. Stabilized crane movement, 24fps. --no shake, lateral movement, warping, distortion\n\nKey Rules for Camera-Only Transitions\n\nAlways specify subject remains stationary - This prevents unwanted morphing\nDescribe start AND end positions clearly - Gives model clear targets\nUse specific movement verbs - \"Dolly-in\" is clearer than \"moves closer\"\nLock down what DOESN'T change - Lighting, subject, clothing, expression\nInclude technical quality markers - Gimbal, 24fps, cinematic, stable\nNegative prompts are critical - Prevents warping/morphing/distortion\nKeep prompts under 75 words - Model weights early words heavier\nOne primary movement per transition - Don't combine dolly + pan + tilt\n\nAdvanced Techniques\n\nSpeed Ramping:\n\"Camera begins slow dolly-in, accelerates midway, then decelerates smoothly into final close-up\"\n\n\nCombined Movements (use sparingly):\n\"Camera dollies in while simultaneously tilting down, maintaining subject center-frame\"\n\n\nFocus Pulls:\n\"Rack focus from foreground [element] to background [element] as camera remains locked\"\n\n\nLens Simulation:\n\"Wide-angle 24mm distortion gradually compresses to telephoto 85mm compression\"\n\n\n\nCritical Output Rule\n\nOUTPUT ONLY THE PROMPT. NO EXPLANATIONS. NO COMMENTARY. NO ADDITIONAL TEXT.", "static", "MEDIUM", 32768, 42, "randomize", "", "randomize" ], "widgets_values_named": { "model": "Gemini 3.8 Flash", "model.prompt": "STEP 1: ANALYZE BOTH IMAGES\nBefore crafting the prompt, analyze both images to understand:\n\n\nCamera distance (wide shot, medium, close-up, extreme close-up, macro)\nCamera angle (low-angle, high-angle, eye-level, overhead, Dutch, worm's eye, bird's eye)\nCamera position relative to subject (front, side profile, 3/4 view, back, overhead)\nFraming (full body, torso, chest-up, face only, detail/macro)\nSubject position and pose\nLighting setup and direction\nBackground elements and depth\nFocal length characteristics (wide-angle distortion vs telephoto compression)\n\nSTEP 2: DETERMINE CAMERA MOVEMENT\nBased on the differences between images, identify the primary camera movement:\n\n\nDistance change: Dolly-in (closer) or Dolly-out (farther)\nVertical angle change: Tilt up/down or Crane up/down\nHorizontal angle change: Pan left/right or Orbit/Arc around subject\nHeight change: Crane/Pedestal up or down\nLateral movement: Truck/Track left or right\n\nSTEP 3: OUTPUT ONLY THE PROMPT\nDo not include explanations, commentary, or additional text.\nOutput ONLY the transition prompt in this format:\n\n\n[CAMERA MOVEMENT] from [START POSITION] to [END POSITION]. Subject remains stationary and consistent throughout. Camera [MOVEMENT VERB] fluidly, maintaining [FOCUS BEHAVIOR] on [KEY ELEMENT]. Lighting stays constant, background [BACKGROUND BEHAVIOR]. [TECHNICAL SPECS]. --no [NEGATIVE ELEMENTS]\n\nCore Principle\n\nFor transitions where the subject/scene remains consistent and only the camera position changes, use this structured approach to ensure smooth, cinematic results.\n\n\nPrompt Structure Template\n\n[CAMERA MOVEMENT] from [START POSITION] to [END POSITION]. Subject remains stationary and consistent throughout. Camera [MOVEMENT VERB] fluidly, maintaining [FOCUS BEHAVIOR] on [KEY ELEMENT]. Lighting stays constant, background [BACKGROUND BEHAVIOR]. [TECHNICAL SPECS]. --no [NEGATIVE ELEMENTS]\n\nComponent Breakdown\n\n1. CAMERA MOVEMENT TYPES\n\n\nDolly-in/Push-in: Camera moves forward toward subject\nDolly-out/Pull-back: Camera moves backward away from subject\nOrbit/Arc: Camera circles around subject (specify left/right)\nTilt: Camera angles up or down on fixed position\nPan: Camera swivels left or right horizontally\nCrane/Pedestal: Camera moves vertically up or down\nTracking/Trucking: Camera moves parallel to subject\n\n2. POSITION DESCRIPTORS\n\n\nDistance: wide shot, medium shot, close-up, extreme close-up, macro\nAngle: low-angle, high-angle, eye-level, overhead, Dutch angle, worm's eye view, bird's eye view\nFraming: full body, three-quarter, torso, chest-up, face, detail\n\n3. MOVEMENT VERBS (choose intensity)\n\n\nSlowly, steadily, smoothly, gradually, fluidly\nRapidly, dynamically, swiftly\nElegantly, dramatically, confidently\n\n4. FOCUS BEHAVIOR\n\n\nSharp focus throughout\nRack focus from [A] to [B]\nMaintains focus on [element]\nShallow depth of field\nDeep focus\nProgressive focus shift\n\n5. BACKGROUND BEHAVIOR\n\n\nStays consistent\nBlurs to bokeh\nSharpens into view\nFades to [color]\nRemains sharp throughout\n\n6. TECHNICAL SPECS (standard cinematic quality)\n\n\nCinematic depth of field\nStable gimbal/dolly movement\nProfessional commercial grade\n24fps (or 30fps, 60fps for slow-motion feel)\nClean sensor, no grain (or \"film grain\" if desired)\n\n\nExample Prompts by Movement Type\n\nDOLLY-IN (Wide → Close-up)\n\n\nSmooth camera dolly-in from wide establishing shot to extreme close-up. Subject remains stationary. Camera pushes forward steadily, transitioning focus from [background element] to [detail]. Lighting stays constant, background softly blurs to bokeh. Cinematic depth of field, stable gimbal movement, 24fps. --no shake, cuts, warping, distortion\n\nDOLLY-OUT (Close-up → Wide)\n\n\nSmooth camera pull-back from extreme close-up to wide establishing shot. Subject remains centered and stationary. Camera retreats steadily, revealing environment progressively. Focus maintains on subject while background sharpens into view. Even lighting, cinematic depth of field, 24fps. --no shake, cuts, jump, warping\n\nORBIT (Circular movement)\n\n\nSmooth camera orbit from front view to side profile. Subject remains stationary at center. Camera arcs left fluidly in 90-degree rotation, maintaining constant distance and eye-level angle. Lighting stays consistent, sharp focus throughout. Gimbal stabilized circular tracking, 24fps. --no shake, warping, speed changes, distortion\n\nTILT (Vertical angle change)\n\n\nSmooth camera tilt from low-angle to high-angle. Subject remains stationary. Camera tilts upward gradually, shifting perspective from worm's eye view to bird's eye view. Distance stays constant, lighting consistent. Stable tripod tilt, cinematic framing, 24fps. --no shake, panning, horizontal movement, warping\n\nPAN (Horizontal swivel)\n\n\nSmooth camera pan from left profile to right profile. Subject remains stationary. Camera swivels horizontally across 180 degrees, maintaining constant distance and eye-level. Sharp focus throughout, even lighting. Fluid tripod pan, 24fps. --no shake, tilting, vertical movement, cuts\n\nCRANE UP/DOWN\n\n\nSmooth camera crane from ground-level to overhead view. Subject remains stationary at center. Camera elevates vertically, angle shifting from eye-level to bird's eye view. Distance adjusts proportionally, lighting consistent. Stabilized crane movement, 24fps. --no shake, lateral movement, warping, distortion\n\nKey Rules for Camera-Only Transitions\n\nAlways specify subject remains stationary - This prevents unwanted morphing\nDescribe start AND end positions clearly - Gives model clear targets\nUse specific movement verbs - \"Dolly-in\" is clearer than \"moves closer\"\nLock down what DOESN'T change - Lighting, subject, clothing, expression\nInclude technical quality markers - Gimbal, 24fps, cinematic, stable\nNegative prompts are critical - Prevents warping/morphing/distortion\nKeep prompts under 75 words - Model weights early words heavier\nOne primary movement per transition - Don't combine dolly + pan + tilt\n\nAdvanced Techniques\n\nSpeed Ramping:\n\"Camera begins slow dolly-in, accelerates midway, then decelerates smoothly into final close-up\"\n\n\nCombined Movements (use sparingly):\n\"Camera dollies in while simultaneously tilting down, maintaining subject center-frame\"\n\n\nFocus Pulls:\n\"Rack focus from foreground [element] to background [element] as camera remains locked\"\n\n\nLens Simulation:\n\"Wide-angle 24mm distortion gradually compresses to telephoto 85mm compression\"\n\n\n\nCritical Output Rule\n\nOUTPUT ONLY THE PROMPT. NO EXPLANATIONS. NO COMMENTARY. 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